Revision Date: 250329

Information contained on these web pages copyright W8KHK / N1BCG. Amateur or individual use is encouraged.
Commercial use of any kind is prohibited without the express written permission of the author, Richard A. Maxwell

 

Max Audio Processor - Calibration & Performance Checks

Users can make changes to suit personal taste, but the following are how the MAX Audio Processor is supposed to be set for optimal results. An audio generator or other source of creating a tone between 20Hz and 10kHz is needed for the following procedure as is a VU reading meter or A.C. meter with a dB scale. 

Note:  All audio level measurements referenced in this document assume 0 dBm is equal to 1 milliwatt (0.001 watts) into a 600 ohm non-reactive load.  Some generators and meters reference 0 dBm to 50 ohms, 75 ohms, or possibly a different load resistance; generators and meters other than those calibrated for a 600 ohm load will yield different voltages, but for all practical purposes, the “relative” dB levels in these cases will be close enough for successful calibration. 

The 0 dBm voltage level at 600 ohms is 0.7745966692 volts RMS, rounded to 0.775.  Calculation:  0 dBm at 600 ohms equals sqrt (0.001 watts * 600 ohms). For oscilloscope measurements, peak voltage = RMS voltage * 1.414 = 1.09585, rounded to 1.1 volts, while peak-to-peak voltage is twice the value of peak, 2.1917 volts, rounded to 2.2 volts.   Peak voltage calculation is RMS voltage * 2.828.

  • Preliminary Setup:  Jumper Option Settings

Jumper settings may vary, depending upon the assembly options selected by the builder

Microphone Gain Setting Jumper:  Location GN, (either a 3-pin jumper or 100 to 500 ohm trim pot)

Jumper 1 to 2 for Line Level input – or – Jumper 2 to 3 for Mic Level input (default)

Line Input Level Jumper:  Location R10, (either a 3-pin jumper or a 10 Kohm trim pot)

NOTE: If a trim pot is not used, Jumper must be set from 2 to 3 or signal will not pass beyond this stage!

Microphone Input Level Jumper:  Location R12, (either a 3-pin jumper or a 10 Kohm trim pot)

NOTE: If a trim pot is not used, Jumper must be set from 2 to 3 or signal will not pass beyond this stage!

EQ Jumper:  Location EQ:  Bypass or Enable the Audio Sculpting EQ section:

A three pin jumper; Disable: jumper 1 to 2, Enable: jumper 2 to 3

Compressor Jumper:  Location CMP, Bypass or Enable the Compressor Module:

A three pin jumper; Disable: jumper 1 to 2, Enable: jumper 2 to 3

SCAF Jumper:  Location SCAF, Bypass or Enable the Switched Capacitor Audio Bandwidth Filter Module:

A three pin jumper; Disable: jumper 1 to 2, Enable: jumper 2 to 3

Limiter Diode Jumper:  Location LDR, Selection of either half or full wave rectification of gain reduction signal

A three pin jumper; Half-Wave (negative peaks) for AM and SSB: jumper 1 to 2, Full Wave for FM: jumper 2 to 3

Gain Reduction Drive Jumper:  Location R108, Not a jumper, but an option for fixed or variable drive resistor

Default configuration is a 4.7 Kohm resistor from pin 1 to 4

Alternate Configuration is a 10K trim pot from pin 1 to 3, (setting screw positioned over pin 1) initially set to mid-range, approximately 5 Kohm

  • Initial Settings

MIC/LINE: Line (or internal jumper INSW to "Line")

PHASE ROTATOR: Off

MAX models through 530: LOW FREQUENCY: Flat, Flat (Cut & Boost Off), PRE EMPHASIS: Off

MAX models 540 and up: LOW GAIN: 12 o'clock, NOTCH: Fully clockwise, PRE-EMPH: Fully counter-clockwise

DYNAMIC PROCESS: Off

DENSITY: Dense

BANDWIDTH: Wide

+PEAK: 100%

Power: On

  • Dynamic Processor Mode Test

1) With no signal input, turn on DYNAMIC PROCESSING.

2) The blue LIMIT ONLY LED should illuminate.

3) Turn off DYNAMIC PROCESSING.

  • Initial System Function Checks And Level Settings

1) Connect a VU meter or A.C. voltmeter with VU scale between test point "TP L" and chassis ground.

2) Connect an audio signal generator to the line input. If unbalanced, connect hot to the + input and shield to both - and ground.

  • Level Indicator Check

1) Set the audio signal generator output to 400Hz at 0dBM

2) Verify that the input switch or INSW jumper is set to LINE

3) Adjust LINE INPUT level for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

4) Reduce the audio signal generator output until the NORM LED extinguishes. This should occur around -8dBM.

5) Increase the audio signal generator output until the PEAK LED illuminates. This should occur around 6dBM.

  • Equalization Check

1) Set the audio signal generator output to 400Hz at 0dBM.

2) Adjust LINE INPUT level for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

3) Turn PHASE ROTATOR on. The VU meter should read between -1 and 1dBm. Turn PHASE ROTATOR off.

4) Set the audio signal generator output to 100Hz at 0dBM.

MAX models through 530:

5) Turn LOW CUT on. The VU meter should read between -4 and -5dBm. Turn LOW CUT off.

6) Turn PRE EMPHASIS on to enable LOW BOOST.

7) Turn LOW BOOST on. The VU meter should read between 2 and 3dBm. Turn LOW BOOST off.

8) Reduce the audio signal generator output to -10dBm at 5kHz. The VU meter should read between -1 and 1dBm.

MAX models 540 and up:

5) Turn LOW GAIN fully counter-clockwise. The VU meter should decrease between 5 and 7dB. Return control to 12 o'clock

6) Turn LOW GAIN fully clockwise. The VU meter should increase between 5 and 7dB. Return control to 12 o'clock

7) Set the audio signal generator output 300Hz.

8) Turn NOTCH fully counter-clockwise. The VU meter should read between -11 and -13dB. Return control to full clockwise.

9) Set the audio signal generator output to -13dBm at 5kHz.

10) Turn PRE-EMPH fully clockwise. The VU meter should read between -1 and 1dBm. Return control to full counter-clockwise.

  • Microphone Input Check

1) Set the audio signal generator output to 400Hz at -60dBM.

2) Connect the audio signal generator to pins 2 (+) and 3 (-) on the microphone input. If unbalanced, connect hot to pin 2 (+) and shield to pin 3 (-).

3) Verify that the input switch or INSW jumper is set to MIC and the Mic Input Gain Set jumper is closest to the board edge.

Note: If a gain trim pot is used at R16 instead of a fixed-gain jumper, skip to step 6.

4) Adjust MIC INPUT level for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

5) This is a good level starting point for most dynamic microphones. Ignore the following steps, needed only for the variable gain trim option.

6) Set the MIC INPUT level control to 60 or 70 percent (about 2 o'clock).

7) Adjust the gain trim pot R16 for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

8) This is a good level starting point for most dynamic microphones.

  • Compressor Check

1) Connect an audio signal generator to the line input. If unbalanced, connect hot to the + input and shield to both - and ground.

2) Set the audio signal generator output to 400Hz at 0dBM.

3) Verify that the input switch or INSW jumper is set to LINE.

4) Connect a VU meter or A.C. voltmeter with VU scale between terminals 2 (+) and 3 (-) on main output.

5) Adjust output level (trimpot R181) for a reading of "0 dBm" (0 VU) on the meter.

6) Increase the audio signal generator output to 10dBm. The VU meter should read between 0 and 1dBm.

  • Frequency Response Check

1) Set the SCAF jumper to bypass the SCAF (not on pins marked with __ )

2) Set the audio signal generator output to 400Hz at 0dBM.

3) Adjust LINE INPUT level for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

4) Sweep the audio signal generator from its lowest frequency setting up to 5kHz. The output should remain within +0dB and -3dB.

5) Increase the audio signal generator frequency to 10kHz. The meter should show a loss of 7dB.

  • SCAF Bandwidth Filter Check

This procedure sets the maximum frequency response of the transmitted signal. The bandwidth will be the same as the frequency response for SSB transmissions and 2x the frequency response for AM transmissions. For example, if you want a maximum AM bandwidth of 10kHz then use a frequency response of 5kHz.

1) Set the SCAF jumper to activate the SCAF (on pins marked with __ )

2) Set the audio signal generator output to 400Hz at 0dBM.

3) Adjust LINE INPUT level for "0 dBm" (0 VU) on the meter. The yellow NORM LED should be on.

4) Set the BANDWIDTH switch to NARROW.

5) Increase the frequency of the audio signal generator and note when the output level drops to -12dB. This is the current narrow bandwidth setting. Use trimpot R123 to adjust the cutoff frequency either lower (counterclockwise) or higher (clockwise). Verify the -12dB cutoff by sweeping the audio signal generator frequency around this setting.

Note that the level will continue to drop off steeply as the frequency is increased.

6) Set the audio signal generator output to 2kHz at 0dBM.

7) Set the BANDWIDTH switch to MED (medium).

8) Increase the frequency of the audio signal generator and note when the output level drops to -12dB. This is the current medium bandwidth setting. Use trimpot R124 to adjust the cutoff frequency either lower (counterclockwise) or higher (clockwise). Verify the -12dB cutoff by sweeping the audio signal generator frequency around this setting.

9) Set the BANDWIDTH switch to WIDE.

10) Increase the frequency of the audio signal generator and note when the output level drops to -12dB. This is the current wide bandwidth setting. Use trimpot R125 to adjust the cutoff frequency either lower (counterclockwise) or higher (clockwise). Verify the -12dB cutoff by sweeping the audio signal generator frequency around this setting.

  • Positive Peak Limiting (MAX models 510 and up)

The R130 trimpot has been added to set the positive peak limit from +100% (fully counterclockwise) to around +130% (clockwise) which is the default. The PEAK switch on the front panel selects between +100% (symmetric) and the R130 setting (asymmetric). An accurate peak indicating modulation monitor is needed for accurate adjustment.

NOTE: While it is possible to completely defeat positive peak limiting, we do not recommend this as it removes protection against transmitter and/or modulator damage due to voltage spikes. Also, there is no loudness advantage of having unrestricted positive peaks since there is no increase in waveform density.

  • Second Stage Negative Peak Limiter (MAX models 510 and up)

While the positive and negative limiters should provide sufficient peak control, there may be an extreme case where even tighter limiting of the negative peaks is required. Trimpot R140 provides a means to add a second stage of negative peak limiting if desired. An accurate peak indicating modulation monitor is needed for this adjustment.

1) A source of "busy audio" such as music or white noise is needed as an input source.

2) Note the negative peak indications on the monitor.

3) Beginning with R140 set fully clockwise (default) watch your modulation monitor while slowly turning the trimpot counterclockwise until the peaks are limited to your needs.